Mothers in Shakespeare

1. The beginnings of a Motherless population or The crime against love as humanity When we ar born, we cry that we are come To this striking stage of fools. -- William Shakespeare, King Lear We wordly man powerfulness Have miserable, mad, identify eyes. -- William Shakespeare, Titus Andronicus The passe-partout mythology of the matriarchal society was that of the Goddess Earth in her ternary aspects: the neat Goddess of birth and growth, the red Goddess of war and battle and the erosive Goddess of end and divination, praised and respected by men as her intelligences and lovers. She was the embodiment of the power of Space, Time and Matter within whose bounds solely rustle and die, the substance of body, configurator of vitality and thought, receiver of the deathly for metempsychosis . This was a mythology of unity, the Goddess was the Goddess of Complete Being, and man belonged to the cycles of nature as watchword and lover of the Goddess. In the course of time, however, the mythology was transformed, reinterpreted and eventually suppressed. The Goddess was demonized and men sullen into her masters. From the moment Antaeus, son of Gea, was weaned remorselessly by Hercules, son of Zeus, the Cogito ergo sum principle became the overpowering force in the world and the original contact with Undine was severed for good.

What William Shakespeare tries to show us are sad consequences of the myth of love substituted by the myth of power, control and materialism. such(prenominal) view of life reduced to a simple laid of objects J.C. Ransom calls Platonism. It is above all predatory for it translates the complexness! of life to a set of manageable formulas, it is an impulse to experience and see the richness of life out of fear that much(prenominal) complexity might annihilate our... If you want to get a full essay, cast it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper