The Caracter of Meursault in The Stranger (The Outsider) Essay

The Caracter of Meursault in The Stranger Albert Camus The Stranger is a startling novel at worst and a haunting clean at best. Camus presents a thrilling story of a man devoid of emotion, even regarding the most sensitive, face-to-face matters. The main region, Meursault shows no feelings after the death of his mother, during his romantic relationship with Marie, or during his trial for the murder of an Arab. Meursault never shows feelings of love, regret, remorse, or sadness. It takes a great fall of skill to portray such a seemingly inhuman character as someone who is complex and multi-faceted like Meursault is. Camus shows a definite esthesis of consultation in this book. His language and phrasing shows that he has aimed the book towards an senior crowd, one that would understand the message he wants to portray. Even when the language is scripted in a simple tone, it still seems aimed at an older audience Fumbling a little with my words and realizing how ri diculous I sounded, I blurted out that it was because of the sun. People laughed. My lawyer threw up his hands, and immediately after that he was given the floor (103). The subject matter itself is certainly aimed towards an adult audience. round topics include sex, murder, death of a family member, and domestic abuse. Religion, or lack thereof, is a topic heavily discussed during Meursaults trial for murder. Meursault is a self-professed atheist, and there are legion(predicate) conversations between the main character and others he interacts with on this topic. The author is an fundamental part of The Stranger. Camus developed his theory of the absurd - the idea that life has no rational meaning - during World War II. ... ... Compare sentences from the first one-half of the novel to the act half As soon as he saw me, he sat up a little and cat his hand in his pocket (58). Especially when the emptiness of a mans burden becomes, as we find it has in this man, a n abyss threatening to swallow up society (101). The first sentence has less detail and feeling to it the second example seems to have more emotion and feeling in its anatomical structure In conclusion, all of these elements help to make The Stranger a classic tale of murder and the absurd. Camus treatment of Meursaults tormented world, where everything makes sense to only him is an intelligent way of looking at the sheer monotony and almost otiose tendencies of life in general. Work Cited Camus, Albert. The Stranger, trans. Mathew Ward. New York Random House, Inc., 1988.